

Based on the negatives of the 33 'La Tauromaquia' engravings made by Goya in 1816, the director invites us to witness the transformation of bodies at the approach of death.
“A staggering achievement of craft and ambition. Óscar Vincentelli's vision lands with breathtaking precision.”
“Every frame feels alive. Blood Is White is the rare release that takes its audience seriously.”