

Hauntology of the Retrodromomania is an essayistic motion picture, a locomotory legwork, a deambulatory non-rural land survey, a casual journeying in a punctual dissertation around the phenomenon of the nostalgic feeling, discoursing on a late capitalistic landscape of social emotions, which are of yore, yet coloured of the postmodern tint of pixelated neo-noir, a socio-philosophical flâneur’s trip in critical theory escorted by the spirits of French post-structuralists. For a Sociology of Nostalgia revisited.

Wundersaar
Flâneureuse
Lead“A staggering achievement of craft and ambition. Chris Weil's vision lands with breathtaking precision.”
“Every frame feels alive. Hauntology of the Retrodromomania is the rare release that takes its audience seriously.”