

This classic case study in media bias examines how the three network affiliates covered urban unrest in Miami's predominantly African American Liberty Hill neighborhood, following the 1980 acquittal of police officers for the killing of a local resident; how it framed the uprising as "riots," chose the community's "spokespersons" and focused on the inconvenience to white commuters.
“A staggering achievement of craft and ambition. David Shulman's vision lands with breathtaking precision.”
“Every frame feels alive. Race Against Prime Time is the rare release that takes its audience seriously.”