

“What is happening in that room?”
For three and a half centuries, from the same day that Diego Velázquez (1599-1660) applied his last brushstroke to the canvas, the enigma of “Las meninas, o La familia de Felipe IV” (1656) has not been deciphered. The secret story of a painting unveiled as if it was the resolution of a perfect crime.

Eusebio Poncela
The Man
LeadOlivia Sanz Novoa
The Girl
Jonathan Brown
Himself - Historian
Manuela Mena
Herself - Prado Museum Staff Member
Francisco Calvo-Serraller
Himself - Historian
Javier Portús
Himself - Prado Museum Staff Member
Eve Sussman
Herself - Artist
Keith Christiansen
Himself - MoMa Staff Member
“A staggering achievement of craft and ambition. Andrés Sanz Vicente's vision lands with breathtaking precision.”
“Every frame feels alive. The Painting is the rare release that takes its audience seriously.”