The Simpsons Movie
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70% Critic Match

The Simpsons Movie

See our family. And feel better about yours.

7.0 / 10 2007 1h 27mPG-13 English
AnimationComedyFamily

Storyline

After Homer accidentally pollutes the town's water supply, Springfield is encased in a gigantic dome by the EPA and the Simpsons are declared fugitives.

Cast & Crew

Dan Castellaneta

Dan Castellaneta

Homer Simpson / Itchy / Barney / Abe Simpson / Stage Manager / Krusty the Clown / Mayor Quimby / Mayor's Aide / Multi-Eyed Squirrel / Panicky Man / Sideshow Mel / Mr. Teeny / EPA Official / Kissing Cop / Bear / Boy on Phone / NSA Worker / Officer / Santa's Little Helper / Squeaky-Voiced Teen (voice)

Lead
Julie Kavner

Julie Kavner

Marge Simpson / Selma Bouvier / Patty Bouvier (voice)

Nancy Cartwright

Nancy Cartwright

Bart Simpson / Maggie Simpson / Ralph / Nelson / Todd Flanders / TV Daughter / Woman on Phone (voice)

Yeardley Smith

Yeardley Smith

Lisa Simpson (voice)

Hank Azaria

Hank Azaria

Professor Frink / Comic Book Guy / Moe / Chief Wiggum / Lou / Carl / Cletus / Bumblebee Man / Male EPA Worker / Dome Depot Announcer / Kissing Cop / Carnival Barker / Counter Man / Apu / Drederick Tatum / Sea Captain / EPA Passenger / Robot / Dr. Nick / Wise Guy (voice)

Harry Shearer

Harry Shearer

Scratchy / Mr. Burns / Rev. Lovejoy / Ned Flanders / Lenny / Skull / President Arnold Schwarzenegger / Kent Brockman / Principal Skinner / Dr. Hibbert / Smithers / Toll Booth Man / Guard / Otto / Kang (voice)

Pamela Hayden

Pamela Hayden

Milhouse Van Houten / Jimbo Jones / Rod Flanders (voice)

Tress MacNeille

Tress MacNeille

Sweet Old Lady / Colin / Mrs. Skinner / Nelson's Mother / Pig / Cat Lady / Female EPA Worker / G.P.S. Woman / Cookie Kwan / Lindsey Naegle / TV Son / Medicine Woman / Girl on Phone (voice)

What People Are Saying

4.0
A staggering achievement of craft and ambition. David Silverman's vision lands with breathtaking precision.
Manohla Dargis, The New York Times
4.0
Every frame feels alive. The Simpsons Movie is the rare release that takes its audience seriously.
Anthony Lane, The New Yorker