

Marzena Sowa is a quintessential contemporary European: independent, aware of how the world works—or should work—and single. After her mother’s death, she is consumed by longing and sets off for her distant homeland, a Polish village where her beloved aunt Niuszka—an embodiment of joie de vivre and peace with herself—lived her entire life under the heavy weight of patriarchy. The film becomes a collision of social models, resolved with an open ending.

Marzena Sowa
Self
Lead“A staggering achievement of craft and ambition. Marzena Sowa's vision lands with breathtaking precision.”
“Every frame feels alive. The Godmother is the rare release that takes its audience seriously.”