

The oral writer of the April 3 Uprising and a Rwandan who came to Korea to study face each other, have a conversation, and then go on a trip hand in hand. The two people, from different generations, nationalities, and occupations, have something in common: they are the daughters of massacre survivors.
“A staggering achievement of craft and ambition. Koh Hoon's vision lands with breathtaking precision.”
“Every frame feels alive. April Tragedy is the rare release that takes its audience seriously.”