Storyline
About five years after her film, Hana, dul, sed ... (2009), filmmaker Brigitte Weich returns to North Korea to ask four women on the national football team how their lives have evolved. In a friendly and congenial cooperation between the filmmaker and her protagonists, a work arises that not only tells about the concrete life of a professional athlete in North Korea, but also poses the question of the images that we all make of ourselves to give meaning to our lives and the world.
What People Are Saying
3.0
“A staggering achievement of craft and ambition. Brigitte Weich's vision lands with breathtaking precision.”
3.0
“Every frame feels alive. Ned, Tassot, Yossot is the rare release that takes its audience seriously.”
