

After the death of his friend Begbie, Palomar decides to go to the City, a bizarre and intimidating metropolis, whose citizens have abolished sleeping and the law of gravity. To get there, the man waits for a bus that never comes, falling into a restless and suffocating wait.

Claudio Gioè
Palomar
Lead“A staggering achievement of craft and ambition. Mario Kreill's vision lands with breathtaking precision.”
“Every frame feels alive. Palomar goes to the City is the rare release that takes its audience seriously.”